Extra energy here can conflict with the low mids. It certainly needs to stand out in the mix, just be careful about boosting too much. Many of the notes have their fundamental frequency in this area. This range usually includes the power and weight of the bass sound itself. It means you’ll struggle to clearly hear the separation between instruments and gauge how low end much is too much.Īdd powerful kicks to your track. This means that even if you have an excellent set of monitor speakers, your room might give you an inaccurate picture of your mix-especially for your low frequencies. Secondly, bedroom studios can have notoriously poor acoustics if they aren’t set up with acoustic treatment. Of course, the best solution is to capture sounds with this in mind so you don’t end up with too much bass in the first place. The key is to start with a plan for which instruments will sit in each range and focus on the most important frequencies to bring out these qualities. Mixing music is about clearing up space for each sound to sit, but it can feel uncomfortable to filter lots of low end if you listen to your sounds in solo.īut if you listen in the context of the mix, the truth is you can use a high-pass filter to clear out excessive lows on many elements that don’t need to occupy this range. One of the main mistakes beginner and intermediate mixers make has to do with this issue. Drums, synth patches, acoustic instruments and even vocals contain a spectrum of frequencies with some energy concentrated in the low end.
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